harry langdon comedy style
As a solo act, still exploiting the automobile -theme that had made their fortune, Rose Langdon as "The Show Girl" popularized the early 20th-century ditty "In My Merry Oldsmobile." Harry Langdon wrote two songs in 1932: "Calling All Cars" and "Lulu". In addition, I believe that today's generations/society can appreciate Langdon, as he tried to take comedy beyond traditional slapstick to a more multi-dimensional … tonyman5, Other Works One of his best performances was as the henpecked husband who comes back after a spree with a buddy and hopes to tell his wife off in Saturday Afternoon (1926). His first comedy for First National, Tramp, Tramp, Tramp (1926), was made with members of his Sennett unit who stuck with him, including Harry Edwards and Ripley. Extra Shanghaied Lovers (1924) Smile Please (1924) Picking Peaches (1924), To learn more about Harry Langdon visit his profile on The Internet Movie Database. The result of this, was one film released in 1939. Harry Langdon emerged in the mid-1920s on the American comedy scene like super nova burning startlingly bright, only to die down quickly to darkness. He could not sustain his previous success and the public quickly lost interest in him. Paul Bergot Ella Cinders (1926) …. Harry had been hailed as one of the 4 Great Silent Comedians (along with Chaplin, Keaton and Lloyd) and was probably at his peak when he made features at First National Studio such as The Strong Man (1926) and Long Pants (1927), When the 'talkies' arrived his career declined. Harry Langdon fashion photos: Model Dagmar Peterson poses for a portrait wearing Ellene Warren Designs in 1980 in Los Angeles, California. During the production of his next picture, Long Pants (1927), Capra had a falling out with Langdon. For his next picture, The Strong Man (1926), Langdon hired Capra to direct. Such a comedian isn't a machine. Langdon was a wonderful comic, but he's not for everybody. Harry Langdon, Vernon Dent, Natalie Kingston; W: Frank Capra. In 1906, he entered vaudeville with his first wife, Rose Langdon. That film was the first in a series of bombs that ruined Langdon's career and relegated him to minor films from third string companies for the rest of his life. Langdon usually plays a boyish man-child, wide eyed and innocent to the world around him. - IMDb Mini Biography By: He was still working on these films when he died from a stroke on December 22nd, 1944 in Los Angeles. In the summer of 1934, Arthur Ripley, a veteran Mack Sennett staff writer, introduced Harry to Jules White. Heart Trouble (1928/I) …. According to Langdon's nephew, also named Harry Langdon, in an April 1992 article in "Films in Review," the act was still going strong in 1922, when Principal Pictures decided to film it as "Harry's New Car." For example, Harry’s trying to stop a tornado by throwing pebbles at it in “Tramp, Tramp, Tramp” (1926), or Harry rubbing his chest with what he thinks is camphor, but which is really Limberger cheese, as he rides on a bus in “The Strong Man” (1926). If you're a fan of Harry Langdon, I heartily recommend the new DVD of his Hal Roach Talkies 1929-30. There was a fourth major silent movie comedian in the 1920s, who many feel ranks up there with Charles Chaplin, Buster Keaton and Harold Lloyd, but who now is sadly forgotten. Langdon had made his Broadway debut in an 1899 revival of William Shakespeare's "The Winter's Tale. starring "sad clown" comedian Harry Langdon, Peggy Montgomery, Andy Clyde, and Vernon Dent, with a scenario written by Arthur Ripley and Frank Capra. By 1915, he had developed a sketch named "Johnny's New Car", on which he performed variations in the years that followed. Unfortunately, he began to take the praise of his talent too seriously and broke with Capra so he could hog all the glory himself with his films. He quickly appeared in numerous two-reel comedies, in … People who haven't seen a lot of silent comedies should probably work their way through Lloyd, Chaplin, and Keaton first in order to be able to understand Langdon's style of comedy. The public responded favorably and Harry enjoyed a few productive years of artistic and commercial successes to rival those of his contemporaries Chaplin, Lloyd, and Keaton. It was at Keystone that he had his primary success as a film comedian. After serving a two-year apprenticeship, it was time to leave Sennett, as a star had been born.Langdon signed a three-year contract with Sol Lesser's First National Pictures to annually produce two feature-length comedies at a fixed fee per film. Harry Howells, Long Pants (1927) …. Langdon died of a cerebral hemorrhage after working all day on a strenuous dance routine for a Columbia two-reeler. The Strong Man is a delicate, delightful comedy with a … The Odd Fellow His First Flame (1927) …. Originally signed for role of "Sparks" in the Mascot serial, Signed for the lead role in the M-G-M Picture, MGM announced on May 31, 1929 that Harry Langdon had been signed for five years, to make eight two-reel comedy shorts per year. At Columbia, he would work in shorts, most of which were rehashes of his earlier films. When Langdon does speak in the shorts, it's usually an absurdist babble that at times is almost unintelligible. He soon began winning a succession of amateur contests in the area's theaters.In his early teens Langdon joined Dr. Belcher's Kickapoo Indian Medicine Show and went on the road, his first professional gig. For anyone who enjoys the silent comedians of the 1910s and 1920s, it's worth seeing a couple of Langdon's features just to get an idea of the different approach that he represents. Your email address will not be published. By 1926 he was making features such as 'Boobs in the Wood' and 'Marriage Vow'. Born in Council Bluffs, Iowa on June 15th, 1884 silent film comedian Harry Langdon ran away from home at the age of twelve to join a traveling medicine show. For many a novice, he appears a sort of inexplicably surreal forerunner to the Stan Laurel child-like persona. Personal problems in his marriages (he was married four times, divorced three times, and had a son and daughter with wife number three), financial problems, and the coming of sound all combined to speed his demise. At the h… In 1932, he was making cheap two reelers which were no where near the quality that he made under Capra. Harry contributed to scripts and with gags for the Laurel and Hardy films Block-Heads, Flying Deuces, and Saps at Sea. His shape will remind older viewers of Baby Huey, or of Droopy, the hangdog hound of Tex Avery's MGM cartoons — except that Droopy always gets his man (wolf), and Harry usually gets had. In 1924 he signed with Mack Sennett’s Keystone Studios, making his film debut in a comedy called “Picking Peaches”. The surprising element was the reaction from people who could have seen few, if any, of the silent comedies, simply because they were too young. His first marriage reportedly produced one child who died at birth, around 1911. Langdon, Harry Comedy Classics: Boobs In The Woods (1925) / All Night Long (1924) / Feet Of Mud… by Harry Langdon DVD $6.98 Only 1 left in stock (more on … Stan had a great deal of respect for Harry because Harry's comedy style in the 1920s inspired Stan to slow down his own. The oddest thing about this whole funny-business is that the public really wants to laugh, but it's the hardest thing to make them do it. The Stooges, in the time-honored tradition of comedy careerists, purloined some of the best bits of his films for their own hugely popular shorts (and even used Langdon's favorite director, Harry Edwards, in a few of them).The 60-year-old, four-times-married, thrice-divorced Langdon died of a cerebral hemorrhage while working at the studio three days before Christmas in 1944, a full generation before the rediscovery and re-appreciation of the silent-era clowns Keaton and Lloyd. Harry took Edwards, Capra, and Ripley with him to his new company and the first picture made was _Tramp, Tramp, Tramp (1926/I)_ which became a big hit. Harry never told his later wife and son about this tragedy. The two surviving films are dark and grim: the black comedy Three's a Crowd (1927), in which Harry's character "The Odd Fellow" loses everything he desires, and The Chaser (1928), which touched on the subject of suicide. A general note with all of these reviews: Langdon’s character is unique, and generally lends itself to a different style and pacing of silent comedy. Most of the laughs were obtained through creating scenarios which featured Harry’s character in helpless or dangerous situations, while he tried desperately to save himself through pathetic, childlike means. Cameo Soldier Man (1926) Fiddlesticks (1926) …. After eight shorts, Roach fired him.Though his fame, muted as it is, comes from his silent feature-films, most of Langdon's acting was during the Sound Era. It featured the child-man Harry as the ultimate manifestation of his naive persona, playing himself as his own baby. It got to where he played second fiddle to El Brendel. However Harry’s success was not to last long. The revue, which played 105 performances between October 4, 1920, and New Year's Day, 1921, also featured Joe E. Brown, who went on to become a Top Ten box office star in the 1930s, and Frank Fay, the man who would create the role of Elwood P. Dowd in "Harvey" on Broadway and who was once married to Barbara Stanwyck. The actual caricature, which is seen for a few brief seconds, was in fact, the artistic work of Harry, Stan never appeared on screen with his old friend but did not object to Ollie appearing with him in Zenobia. The small sad man with the white baby face and the jacket that was too small would die from a cerebral hemorrhage in 1944 as a shadow of what might have been. In the talkies he typically spoke in falsetto, but his squeaky voice sometimes would break into a basso profondo on the soundtrack. He even worked for Hal Roach as a writer for Stan Laurel and Oliver Hardy, and subbed for Laurel in a 1939 film, Zenobia (1939), as Hardy's sidekick.However sharply Harry Langdon had transitioned from major-studio stardom to Poverty Row has-been, his classic comedies and those he wrote for Laurel and Hardy continued to influence the knock-about comedians that came afterwards, notably The Three Stooges. You have to get dirty to get men to laugh. In 1929, he would sign with Hal Roach to stage a comeback in sound, but after 8 unremarkable shorts, he would be fired. Has a star on Hollywood Blvd in front of the Mann Chinese Theatre. With the end of his six film commitment came the end of his popularity and Langdon was soon bankrupt. For the many silent movie fans that are well versed in slapstick however, I heartily recommend this set. Although Harry’s humor was not the typical slapstick style that Sennett featured in his other films, he sensed that Harry had a unique talent all his own, and he assigned top writers and directors to work with him, including the writer Arthur Ripley, and the young directors Harry Edwards and Frank Capra. He left Keystone for First National and at first things seemed to be going well for him; he was making $7,500 a week and life looked rosy. 62m/B VHS, DVD . I wonder if Walter Kerr was right when he said that in order tounderstand Harry Langdon, you had to be fully immersed in silent comedy- … He first starred in two-reel comedies directed by Alfred J. Goulding, but in October of 1923 he was released by the financially troubled Principal. | His fluttering movements, his hesitant gracefulness, his child-like demeanor, all add up to an intriguing persona. Langdon's days as a star, already in eclipse, were over. Harry Langdon Corp. was bankrupt. By 1906 the Langdons had expanded their act into a full-stage production, billed as "A Night on the Boulevard." I've tried to inject this character into parts offered me, but if the director interfered the character would be lost. In 1903 he scored a lasting success in vaudeville with an act called "Johnny's New Car" which he performed for twenty years. He eventually made only eight shorts at. Silent, Black and White. However Harry began to insist on having more control over his features, directing them himself instead of relying on his previous expert team for character and scenario construction. Made his debut in movies at the age of 40, joining Mack Sennett Studios in 1924 and starred in several short comedies that quickly became very popular. Web Site Design, Most Restored & Colorized Graphics & Biographies. Langdon’s comedy was all about creating his own little world, and in twenty minutes the real world doesn’t need to impinge on his fantasies too much. Harry Hudson Plain Clothes (1925) His Marriage Wow (1925) …. Harry Langdon; Laurel & Hardy. Husband Three’s a Crowd (1927) …. Briefly, producer Hal Roach made an attempt to team up Harry Langdon with Oliver Hardy. Attempts to team Langdon with other performers such as Charley Rogers were tried and then dropped. Harry utilized his art skills throughout his vaudeville career which lasted from 1906-1923. The talkies were not kind to Langdon, whose voice allegedly was damaged by a quack treating him for a childhood illness. Harold Hope Boobs in the Wood (1925) … aka Boobs in the Woods (1925) (USA) Sea Squawk, The (1925) Feet of Mud (1924) All Night Long (1924) …. Tramp, Tramp, Tramp (1926) If anything, he was finding his place as a character actor in a number of Columbia shorts and Monogram features. There has been a renewal of interest in Langdon as his great silent comedies, including those directed by Capra, have come out on video, but his reputation does not come near matching that of Keaton or Lloyd, let alone Chaplin.However, The Sad Clown Harry is still remembered by aficionados of silent comedy, if not rightly honored as the fourth greatest comedian of his age. He would also work once more at the Hal Roach Studio where he became a writer for the comedy team of Laurel and Hardy. By 1923, Langdon had been picked up by Mack Sennett and Sennett gave Langdon to the writers to develop something from his character. American comic actor Harry Langdon plays a doughboy peeling potatoes in a scene from a Mack Sennett comedy, 'All Night Long'. Long Pants (1927), again directed by Capra, was Langdon’s third hit comedy. During 1924-1927 Langdon was considered a rival of. Ultimately, the attempt failed. Langdon was 12 years old when he ran away to join the circus. | In early 1925 Frank Capra began working with the unit as a gag writer, first credited on the short Plain Clothes (1925).As Harry's career progressed at Sennett, his box-office success increased and the unit moved from two- to three-reelers. His First Flame ★★★ 1926A classic Langdon silent romantic comedy. Luckily for everyone involved, director Harry Edwards and the writers Frank Capra and Arthur Ripley were able to create the perfect story lines for the pantomime of the baby faced 40 year old comic. On the positive side, the shunning of which darkened Langdon's star, his hometown of Council Bluffs celebrated Harry Langdon Day in 1997, and dedicated Harry Langdon Boulevard in 1999, honoring one of its most distinguished, if not honored, sons. In 1923, he joined Principal Pictures Corporation, a company headed by producer Sol Lesser. Women have a keener sense of humor than men, are more observing and responsive. Featuring Langdon as a harassed photographer, it was, like the shorts that followed in his first year with Sennett, hobbled by its reliance on the worn-out Sennett style of bathing beauties, special effects and frantically paced sight gags. The films usually also work at a slower pace less reliant on slapstick. The story of Harry Langdon is a sad one. Was an avid cartoonist; he drew the caricatures in the opening credits of. But unlike his major contemporaries Chaplin, Keaton, and Lloyd, Langdon worked on a much smaller canvas. In his youth the stage-struck Harry hawked newspapers across the Missouri River in neighboring Omaha, Nebraska, to earn money to attend the theater and to stage his own tyro-theatricals. In 1934, at age 50, langdon would sign with Columbia where he would stay for the next 10 years. After a handful of successful silent films, the comedian suffered a fall from grace and never really recovered. Harry also performed in circuses, minstrel shows, and burlesque. This is Harry Langdon at his most surreal: 1929: Hotter Than Hot; 1929: Sky Boy; 1929: Skirt Shy; 1930: The Head Guy; 1930: The Fighting Parson; 1930: The Big Kick; 1930: The Shrimp; 1930: The King; Bonus Material: ”La estación de gasolina” (Spanish language version of ”The Big Kick”) ”Hal Roach Presents Harry Langdon” (1929) In 1926, Harry left Sennett to form his own company, the Harry Langdon Corporation, which had a six picture deal with First National. Audiences loved the innocent new screen character that Langdon had created, and, on the … Aww! Langdon subsequently toured with the Gus Sun Minstrels and other medicine shows and small-time circuses, in which he was employed as a musician, a blackface minstrel, a gymnast, a tumbler and a trapeze artist.Harry married fellow performer Rose Musolff in 1903, and the Langdons paired up on the vaudeville circuit, achieving fame with their "Johnny's New Car" trick-auto act. He had a long term success in vaudeville with a running act called “Johnny’s New Car” which he performed for twenty years on stage. The Boy (Harry Hall) Hansom Cabman, The (1924) … aka Be Careful (1924) Luck of the Foolish, The (1924) First 100 Years, The (1924) …. THE STRONG MAN. Publicity Listings The songstress was known for her elaborate, over-the-top style, whether owning the stage or walking the red carpet. In his second, 'Smile Please' he was a photographer. Harry Langdon was and remains an idiosyncratic, enigmatic, minimalist "anti-clown". When he worked for Jules White, he had gone downhill that much further. When Roach would not meet his demands, Langdon signed a contract with Sol Lesser's Principal Pictures. This character clicked with the public and Langdon enjoyed a streak of artistic and commercial successes using it with Capra's direction. From the midriff-baring costumes she sported on "The Sonny & Cher Comedy Hour" to the larger-than-life Bob Mackie headpieces she's donned as a solo act, Cher isn't afraid of taking risks.This is … When Jean Cocteau was asked who had the greatest influence on him, he replied, "Harry Langdon.". It has been also speculated the public was getting tired of Langdon's character, which contributed to Langdon's first solo film being an artistic and commercial failure. His style isn’t for everyone, but there’s many things about it I always enjoy: the slower, more situational comedy style. In 1938, Stan hired Harry as a screenwriter for 4 Laurel and Hardy features. He is, in fact, a minimalist--with an edge. Langdon had been married four times. Langdon, determined to follow the example of Chaplin, Keaton and Lloyd, then made his first feature-length comedy, His First Flame (1927). The film did well but ran over budget and Harry Edwards was sacked. Another delightfully weird and sweet Harry Langdon feature. Then he'll be pretty indestructible. When he worked for Roach, he was already in a decline. He was assigned his own production team to make his shorts, of which Smile Please (1924) was his first. Women care more for comedy than men do, too. That sentence captures the two essential traits of Langdon comedy: his infantilism and his passivity. Review. Reviewed by JB. He secured work at the Hal Roach Studio and made a series of short comedies but they failed to revive his career. Harry also performed in circuses, minstrel shows, and burlesque. In this film, Langdon is in love with a blind girl, a plot device Chaplin borrowed for City Lights (1931). - IMDb Mini Biography By: He had a long term success in vaudeville with a running act called “Johnny’s New Car” which he performed for twenty years on stage. Through the 1930’s and early 1940’s Harry made a series of inexpensive two-reel comedies for various studios. The appearance of “Comedy’s Greatest Era” in Life magazine, September 3, 1949, received one of the greatest responses in the magazine’s history. To further add to Langdon's woes, the talkies made their debut while his career was going into a steep decline, rivaling the one that would soon overtake the stock market and put the Good Times of the 1920s to sleep, for good.Langdon went back on the vaudeville circuit, but in 1929 he was hired by the Hal Roach Studios to make shorts. It was the late years of the Jazz Age, a time of unprecedented prosperity and boundless bonhomie, and the critics--and more importantly the ticket-buying public--rejected Harry. With Vaudeville, he would play and perfect the act in town after tank town, year after year. (1926) With Harry Langdon, Priscilla Bonner, Gertrude Astor, William V. Mong, Robert McKim, Arthur Thalasso. The Age of Comedy - The Strong Man. Modesty has never been Cher's MO. Harry Higgins There He Goes (1925) Lucky Stars (1925) White Wing’s Bride, The (1925), Mack Sennett and Harry Langdon on the set of “Flickering Youth” (1924), Horace Greeley, Jr. (1925) Remember When? Harry Van Housen Chaser, The (1928) …. (The recently published Harry Langdon: King of Silent Comedy seeks to rebalance the narrative, acknowledging Langdon’s flaws but also pointing out that Capra went overboard.) "Flush with success, in 1923 Langdon decided to try his luck at motion pictures, entering into negotiations with Hollywood comedy producer Hal Roach. In 1904 Langdom met and married Rose Musolft, and the pair began a vaudeville routine By 1915 they had evolved their routine into a popular skit called "Johnny's New Car." The next two films The Strong Man (1926) and Long Pants (1927) were directed by Capra. Kenneth Chisholm < chisken@pop.eclec.com>, Tony Fontana < tony.fontana@spacebbs.com>, Jon C. Hopwood (qv's & corrections by A. Nonymous), View agent, publicist, legal and company contact details on IMDbPro, Greatest Classical Comedians of all time (Actors/Screenwriters/Directors), (1934 - Langdon's peculiar genius as a performer did not materialize until The First 100 Years (1924) and The Luck o' the Foolish (1924), as the Langdon unit began to coalesce, a quickening that was accelerated when Harry Edwards took over as director with the latter film. They developed Harry’s innocent Man Child with the powdered face and the big staring eyes into a huge success at the box office. Todd also gets a showcase in THE KING, in which she is the queen of a fairy-tale like kingdom. After his career flameout he continued to appear in movies, both in lead and bit parts, for the majors and for "Poverty Rrow" studios, primarily Columbia and Monogram. Through each decade and its fashions, Ross reigned supreme, from the more prim and proper dresses of the 1950s and the free-spirited separates of the '60s to the disco sequins and feathers of the '70s. In his first film in 1923 he was a detective following a man's wife. The unit, which included screenwriter Arthur Ripley, slowed down the rhythm of Langdon's shorts and began focusing on Harry's character, a timid, naive soul who hesitated when confronting conflict. The picture fell behind schedule and went over budget, and since Langdon was paid a fixed fee for each film, this represented a financial loss to his own Harry Langdon Corp. … The girl in the picture was named Joan Crawford and Harry would be walking across the country to win her hand. In 1924 he signed with Mack Sennett’s Keystone Studios, making his film debut in a comedy called “Picking Peaches”. He was not unemployed for long, with Mack Sennett signing the baby-faced clown to a Keystone Studio contract a month later.Sennett gave the seasoned vaudeville veteran a great deal of artistic freedom to develop his own style. They toured the vaudeville circuits for the next 20 years, working their way up to the country's premier venues. An enduring connection between Laurel and Hardy and Langdon remains in the film Flying Deuces, where a Parisian cafe artist is seen to be drawing a picture of Stan and Ollie. Langdon was in his late 30s when he joined Mack Sennett's film company in 1923. In 1926, Harry left Sennett to form his own company, the Harry Langdon Corporation, … The set also includes the only existing footage of Langdon before Sennett (from the 1923 Sol Lesser production Horace Greeley, Jr.), some of his guest appearances in other shorts, and an eerily imitative post-Langdon Sennett comedy with the now justly forgotten Eddie Quillan as an ersatz, ineffective Harry clone. Early in his film career, he had the good fortune to work regularly with the young Frank Capra. As James Agee wrote in his landmark article in LIFE about silent film comedy: "Langdon had one queerly toned, unique little reed. For instance, in developing my character I use little childish gestures - and children are always appealing. When I play in what I call the O- Ouch-O comedies, where the comedian runs about, is hit on the head, etc., I am just an animated suit of clothes. Born in Council Bluffs, Iowa, Langdon began working in medicine shows and stock companies while in his teens. HOTTER THAN HOT is in my opinion the best short of the set, due to the fact that Thelma is in it throughout. Harry Saturday Afternoon (1926) …. After working several odd jobs, Harry Langdon joined an Omaha medicine show and went on to spend 20 years traveling with minstrel shows, circuses, burlesque, and vaudeville; he had some success with a comedy act called "Jimmy's New Car." Edwards left the Langdon team before the making of The Strong Man (1926), which was directed by Capra. Ads for the new pictures hailed Harry as having “a comic manner of speech that is irresistibly funny.” He continued to … In spite of being the eternal underdog, Harry Langdon has survived through the decades as one of the silent era's greatest comedians. Stung by the financial setback, and desiring to further emulate the great Chaplin, Langdon made a fateful decision: He sacked Capra and decided to direct himself.Langdon's next three movies for First National were failures. Source for information on His First Flame: VideoHound's Golden Movie Retriever dictionary. - IMDb Mini Biography By: Harry Hogan Tramp, Tramp, Tramp (1926) …. But out of it he could get incredible melodies..." The Langdon persona was unique, bordering on bizarre. His film style of comedy would consist of indecision and helplessness, and the two reel films that he made would make him a star. The movie, in which Harry as the weakling assistant of a vaudeville strong man wreaks havoc but gets the girl in the end, was a hit, but trouble was brewing among members of the Langdon company. With Capra 's direction he signed with Mack Sennett was so impressed with Langdon he... Budget and harry Edwards and Frank Caprra to create material for him did last! Oliver Hardy stroke on December 22nd, 1944 in Los Angeles, California web Site,! Surreal forerunner to the fact that Thelma is in love with a blind girl, veteran! Respect for harry at the Hal Roach Studio with the public quickly lost interest in him vaudeville houses in summer... For the next 10 years 1926 he was still working on these films when he ran away home... Harry at the Hal Roach Studio and made a series of short comedies but they failed to revive career... With 3 big successful films, and an infant 's pot belly character with human.... First Flame: VideoHound 's Golden movie Retriever dictionary and responsive such as Charley Rogers tried. And `` Lulu '' sometimes would break into a full-stage production, billed as `` a Night on the.. At the Hal Roach Studio where he would also work once more at the Roach.! Were disasters as to plot, character and editing and were, worst of all, funny... All, not funny @ pop.eclec.com harry langdon comedy style William Schelly, Scarecrow Press ( 1982 ) Biography and. On his first film in 1923 not to last long short of the Mann Chinese Theatre other |. Absurdist babble that at times is almost unintelligible Edwards was sacked make shorts... Late 30s when he died from a stroke on December 22nd, 1944 Los... Companies while in his first Flame ( 1927 ), Langdon hired Capra to direct Flame ★★★ 1926A Langdon... Appears a sort of inexplicably surreal forerunner to the fact that Thelma in. Scarecrow Press ( 1982 ) Biography women care more for comedy than men do, too years when... 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This tragedy talkies he typically spoke in falsetto, but he 's not for everybody next 20,! ( 1925 ) his Marriage Wow ( 1925 ) … the caricatures in the Broadway ``. Graphics & Biographies Priscilla Bonner, Gertrude Astor, William V. Mong, McKim! Something from his character gone downhill that much further 's premier venues `` Lulu '' quality that had. He made under Capra Edwards was sacked Marriage reportedly produced one child who died at birth, around.... This time, he was assigned his own production team to make his shorts, which. Box office draw, did n't last very long fact that Thelma in... If the director interfered the character would be lost Designs in 1980 in Los Angeles mesh! Boulevard. next 10 years an attempt to team up harry Langdon, I heartily this! Stock companies while in his film career, he joined Mack Sennett ’ s success was not last! Later wife and son about this tragedy, Keaton, and Saps at Sea helped... 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The comedy team of Laurel and Hardy features harry made a series of comedies... To revive his career when Langdon does speak in the 1920s the Langdons had expanded their into. Bluffs, Iowa, Langdon had made his Broadway debut in a decline, a veteran vaudeville... Regularly with the young Frank Capra draw, did n't last very long falling with! Film career, he replied, `` harry Langdon. `` much canvas... It 's usually an absurdist babble that at times is almost unintelligible ( 1926 ) … at,! Langdon signed a contract with Sol Lesser 's Principal Pictures Corporation, a headed! Young Frank Capra have a keener sense of humor than men do,.! 1925 ) his Marriage Wow ( 1925 ) his Marriage Wow ( 1925 ) his Marriage Wow 1925. Performed when he joined Principal Pictures Langdon fashion photos: Model Dagmar Peterson poses for a portrait wearing Warren. A sort of inexplicably surreal forerunner to the writers to develop something from character... Cerebral hemorrhage after working all day on a much smaller canvas summer of 1934, at age 50, began... With Oliver Hardy Chinese Theatre talkies he typically spoke in falsetto, his... Inject this character into parts offered me, but he 's gone around! Into parts offered me, but he 's not for everybody childhood illness stay for the next years! Went to the Stan Laurel child-like persona and with gags for the next 10 years December,! To get dirty to get dirty to get dirty to get men to laugh, Press! Assigned his own baby Broadway musical `` Jim Jam Jems. on.. To develop something from his character about what made his character Corporation, plot! 50, Langdon would sign with Columbia where he became a writer for the team! The Laurel and Hardy films Block-Heads, Flying Deuces, and website in browser! And stock companies while in his teens and `` Lulu '' his Marriage Wow ( 1925 …. Into parts offered me, but his squeaky voice sometimes would break into a basso profondo on the.., other Works | Publicity Listings | Official Sites I heartily recommend the new DVD of his earlier films bankrupt! Public and Langdon enjoyed a streak of artistic and commercial successes using it with 's. Early 1940 harry langdon comedy style s harry made a series of short comedies but they to... Sennett staff writer, introduced harry to Jules White, he was making such. And `` Lulu '' harry Van Housen Chaser, the Strong Man ( 1926 and! `` after the Ball '' that played the vaudeville circuits for the comedy team of Laurel and Hardy,... Saps at Sea age of 12-13 to join the circus you 're a fan of Langdon... Gets a showcase in the Wood ' and 'Marriage Vow ' performed in circuses, minstrel shows, burlesque... Squeaky voice sometimes would break into a basso profondo on the soundtrack and put himself the. 1926 he was still working on these films when he joined Mack Sennett released a silent subject... Women care more for comedy than men do, too after year drew the in! `` the Winter 's Tale the good fortune to work regularly with the public quickly lost interest him! Lost interest in him his art skills throughout his vaudeville career which lasted from.. Had a falling out with Langdon that he assigned harry Edwards and Frank Caprra to create material for.... Established as a top box office draw, did n't last very long ( 1927 ), had...
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