kim longinotto film theory

( Log Out /  Kim Longinotto is a British documentary filmmaker and cinematographer. Kim Longinotto's documentaries all share one common theme: the oppression of women. Create a free website or blog at WordPress.com. Film – Makers’ Theories – Kim Longinotto ollystanilandsfilmstudiesblog Component 2b: Documentary Film 20th Apr 2020 20th Apr 2020 3 Minutes Kim Longinotto is known for using the documentary form to highlight issues affecting women all over the world. Posted on May 2, 2018 by filmstudiesbatkinh. The score itself sounds like it … The subjects are aware of the camera filming them and in many aspects, cinema verite is extremely similar to direct cinema because both techniques aim to capture the truth, one is just slightly more subjective than the other. Kim Longinotto was born in 1952 in London, England. British documentary filmmaker Kim Loningotto, can be seen to work within one of Nichols six ‘modes’, however, she has her own unique theories on how a documentary film should look. Kim Longinotto is a 21st century British documentary filmmaker famous for documentaries such as ‘Sisters in Law’ and ‘Pink Saris’. Longinotto’s love for ‘rebels’ originated from her childhood at a boarding school when she was constantly singled out by various teachers due to her poor background, these thoughts are further expressed in Pride Of Place (1976) which was Longinotto’s first documentary film. Though originally regarded as a breakthrough within documentary film, observational cinema has been argued to be inhumane, as the subjects are often dehumanised and objectified under the camera and the filmmaker tends to have little to no relationship with the subjects of their film. Longinotto has made more than 20 films, usually featuring inspiring women and girls at their core. Filmmaker’s “Theories”: Kim Longinotto Kim Longinotto uses an observational style of documentary because she didn’t want to ask her subjects to do things, she wanted to feel like she was making the film with her subjects and like two teams working together on … Longinotto has a unique style of filmmaking that shows female oppression and discrimination in her films. Longinotto is an observational filmmaker, typically excluding certain documentary techniques including: advanced planning, scripted narration, re-enactment and interviewing. Change ), This is a text widget, which allows you to add text or HTML to your sidebar. She became homeless at the age of 17 on the brink of death. ( Log Out /  Edit them in the Widget section of the, The Significance of Digital Technology to Documentary Filmmakers. Who is she? Divorce, Iranian Style (Longinotto, 1998) The key characteristics of the use of film form. classic hollywood conventions is within the film – establishing shot at the beggining of a new ‘scene’. montages act as exposition . Though she stays silent behind the camera, just as the filmmakers do in observational cinema, the footage is manipulated in order to invoke sympathetic reactions within the audience for certain characters such as in Sisters in Law (2005) where the footage is edited to focus on the prosecutor’s side of the story instead of the defendants – a typical element of cinema verite. Unlike direct cinema, cinema verite produces a more subjective stance on the filmmakers part and the film can be manipulated in order to persuade the audience to be in favour of a certain opinion. Kim Longinotto’s theories. Change ), You are commenting using your Facebook account. Longinotto dislikes the term: ‘fly on the wall’ which often refers to direct cinema which is where the author is not involved as a participant in the film. She wants to be invisible to her audience and let them decifer their own meaning from her work and the subject she is focusing on. Observational cinema allows the filmmaker to detach themselves from the subjects being filmed, so that essentially, the camera merely becomes an observer. The main elements used by Longinotto are Direct Cinema, Observational Cinema and Cinema Verite. An example of a director that uses the observational mode is British filmmaker Kim Longinotto who uses the mode as a starting point for her own theories. Kim Longinotto is a British film maker whos work looks at highlighting the oppression and discrimination women recieve within patriarchal societies. They are there to capture the truth – nothing more. Kim Longinotto is a British documentary filmmaker who rose to fame through her focus on women as victims of oppression and discrimination. Change ), You are commenting using your Twitter account. Change ), You are commenting using your Google account. Many of these films have gained awards at film festivals, resulting in Longinotto being a recognisable name from within the film industry.… Her subjects have included female genital mutilation in Kenya, women standing up to rapists in India, and the story of Salma, an … The filmmaker Kim Longinotto’s theory regarding documentaries is that she likes to be the eyes of her audience without tampering with anything. When looking at Kim’s filming techniques, there are three styles of cinema that she arguably uses certain aspects of, other than fitting into Nichols’ ‘observational’ mode. In the film Sisters in Law (2002), Longinotto uses Cinema Verite as a method to show the audience the oppression and discrimination of women. Longinotto refers to the female characters in her films as ‘rebels’ and ‘survivors’ which shows her own views about subjects and politics in her films. Kim Longinotto is a British documentarian, well known for her observational, cinéma vérité style of filmmaking, she often focuses on personal stories of inspiring women, often those who are victims of discrimination and oppression. As the director she is never intrusive and her influence on the film is limited only to how the events themselves are displayed, however she is never seen interacting with the subjects of her films or playing a part in how the situations … Sound Design. Kim Longinotto uses, in terms of the six modes, an observational style to her documentary film in order to pinpoint the audience’s focus on the general themes within her films which are the oppression and defiance of women in less developed, patriarchal societies. For the majority of her documentaries she does not use narration except for Selma (2013), in which the central story is one that takes place in the past, forcing the subject, Selma, to narrate it. Kim Longintto’s of bases her documentaries on rebels, outsiders, atypical women and focuses on the stories of female victims of oppression and discrimination. Similar to Bill Nichols six modes of documentary, the style used by Kim Longinotto can’t be put into one category since it contains elements from various styles of filmmaking. The topic of this book, as well as its companion volume, Female Agency and Documentary Strategies: Subjectivities, Identity and Activism, is an internationally focused study of female authorship in relation to the documentary image.Addressed by a group of scholars and practitioners at the forefront of contemporary views on this issue, these two volumes are … In her documentaries, Longinotto often illustrates the hardship of women who have … Kim Longinotto is a British documentary filmmaker who is well known for featuring themes of female oppression and discrimination in her films. Kim Longinotto is a British documentary filmmaker who is well known for featuring themes of female oppression and discrimination in her films. Longinotto’s filmmaking style also could be shown as Observational Documentary filmmaking if using the six modes of documentary defined by Bill Nichols. Filmmakers “Theories” – Kim Longinotto. This is shown through Longinotto filming the scenes in court which show the event as a whole unfold. Longinotto is an observational filmmaker which means that she maintains a level of unobtrusiveness which often gives her subjects on camera “a certain voice and presence that might not have emerged with another documentary genre”. ... Having an understanding of Longinotto’s film theory helps the viewer understand what Longinotto has set out to achieve with her film: a pure view of the world of those she films. Her main subjects are often women with inspiring subjects. montage editing, non, digetic music. Longinotto uses elements of Cinema Verite in her films, which is used to expose hidden truths through the use of camerawork. Her documentaries all focus on empowered and strong women and for this reason she has become a big name in the industry and achieved awards. There are different cinematic styles, that could be argued, are used by Longinotto… Longinotto combines the elements of Cinema Verite with Observational Cinema to create her documentaries. Kim Longinotto is a British documentary filmmaker and has produced other films, such as Rough Aunties (2008) and The Day I Will Never Forget (2002). Longinotto also films ‘rebels’ because of the impact that they had on the world which inspired Longinotto to make documentaries expressing the rebels life and ideas. Though she doesn’t agree with the ‘fly on the wall’ method, Longinotto admires the observatory style in general due to the fact that it allows the subjects of the film to control the telling of their own stories and lives. Shifts in Focus: Longinotto often shifts the focus from character to character to show expression, this is done mostly when the camera goes from focusing on a woman to focusing on a child. Kapadia is similar to this in someways in his film Amy. It… Kapadia and Kim Longinotto present similar ideas through the use of documentary film. Kim Longinotto is a British documentarian, well known for her observational, cinéma vérité, style of filmmaking. One example of this is in Sisters in Law (2005), where the documentary follows the case of a muslim wife who is seeking a divorce from her abusive husband. Kim Longinotto is a British film maker who's most known for making documentaries that are focused around female oppression. Conclusion – explain what effect Kim Longinotto’s “theory” has on the film-explain how having knowledge of Longinotto’s “theory” helps the audience to understand her intentions and how she decides to frame her film.-explain how Longinotto’s style is different from that of Peter Watkins, Nick Broomfield and Michael Moore. Sisters in law is a observational documentary film by Kim Longinotto that follows the court cases of in Cameroon which follow the lives of women and specifically emphasises the issues with inequality within Sharia Law. Kim Longinotto is a British film maker well known for making documentaries that focus on females and the discrimination or oppression of them. ( Log Out /  The filmmakers theory I will be discussing in relation to the documentary film Amy (Kapdia, 2015) is Kim Longinotto. However, in the majority of her documentaries, she attempts to hold a mostly objective stance within the filmmaking and strives to capture reality and represent it in the most truthful manner possible for cinema, allowing her films to also fit into direct cinema. Component 2b: Documentary Film. Observational film making does not often involve scripting or staging, narrating or lighting and tends to shy away from interviewing. Whilst studying at the school, Longinotto created a documentary about her childhood boarding school that was shown at the London Film Festival. Longinotto attempted to use observational cinema in order to capture the reality of their lives but found it extremely hard to detach her emotions from the camera, especially as one of the children being taken care of died during the film making process. Longinotto was born in 1952 in London England and spent the early years of her life at an all girls Boarding school, and eventually made a documentary about it that was shown at the London Film Festival. Cinema Verite was seen as a documentary film movement, however in Longinotto’s work it is used as an element in the film rather than the films expressing solely aspects of Cinema Verite. Observational Documentaries aim to show everyday life without the interference of the director. Kim Longinotto has used the observational mode of documentaries in each of her films due to how she never intrudes on events happening in front of the camera with the aim of capturing “objective reality”. Some of her best films have included 'The Day I Will Never Forget', which tells… This documentary focuses on the combating of violence against women, looking at a group of ladies based in Utter Pradesh, India of whom take it upon themselves to deliver “justice” to women who have been abused. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. Kim Longinotto focuses on the extraordinary lives of women and children throughout the less developed countries to show the difference to the Western society. Observation Cinema refers to the lack of commentary or a voice-over by the director and heavily focuses on the conversations of the real characters expressed in the film. Change ), You are commenting using your Twitter account. She has made over 20 film which at their core, follow strong inspirational women. Filmmaker’s “Theories”: Kim Longinotto. Longinotto focuses on the struggles many women still have and the controversial Third World subjects, mainly focusing on feminism. Filmmakers “Theories” – Kim Longinotto. Longinotto documents the first ever cases of women marital abuse cases including physical abuse and rape. They call themselves the ‘Pink Gang’ and the documentary is seemingly subjective as it only looks at their side of the story, making the film fit into the direct cinema category. Change ), You are commenting using your Facebook account. She is a director and cinematographer, known for Sisters in Law (2005), Gaea Girls (2000) and Pink Saris (2010). In her films, Longinotto focuses on the struggle of women within certain less developed, patriarchal societies and the subjects of her documentaries often fight against the traditional conventions they have been brought up with. I researched the British documentary filmmaker , Kim Longinotto, and her theory into documentary film making. During her career she has made over 20 films which predominatley feature inspiring women and girls striving for change. It was released in 2005. ( Log Out /  Kim Longinotto is famous for her extremely objective and observational style of documentary filmmaking. Non diegetic score: Longinotto uses a non-diegetic composed score in the film which appears at the beginning and end of the film. British film director and cinematographer Kim Longinotto was born in 1952, in London. Kim Longinotto’s subtle observational style and compelling topic that often focuses on women that face challenging scenarios has increased her status as a filmmaker, and yet she still lacks the far-reaching appreciation of some of her filmmaking peers (including documentarist friend, Nick Broomfield). Kim Longinotto uses, in terms of the six modes, an observational style to her documentary film in order to pinpoint the audience’s focus on the general themes within her films which are the oppression and defiance of women in less developed, patriarchal societies. Longinotto is known for her films: Sisters in Law (2005), Gaea Girls (2000) and The Day I Will Never Forget (2002). Her films feature the oppression and discrimination of women and girls in a patriarchal environment who seek power or get justice. ( Log Out /  ( Log Out /  Since attending National Film & Television School, Longinotto has been made famous for films such as Sisters in Law (2005), Gaea Girls (2000), and The Day I Will Never Forget (2002). Kim Longinotto is a British documentary film maker, well known for making films that highlight the plight of female victims of oppression or discrimination. This style of filmmaking allows Longinotto to capture the unfiltered and genuine reactions of her subject. You can use them to display text, links, images, HTML, or a combination of these. Kim Longinotto, the British documentary filmmaker, who rose to fame through her focus on women as victims of oppression and discrimination, uses her “invisible presence” to create a bigger impact and engage her audience in her films.She has successfully made documentary films for over thirty years, over twenty of which were made with the intent of … Longinotto went to Essex University to study English and European literature and then attended the National Film & Television School. Change ), The Significance of Digital Technology to Documentary Filmmakers, Essay Plan: ‘How are Ideologies, including Binary Opposite, explored in your chosen films?’, Narrative and Ideology in This is England. She likes to be the invisible eyes of her audience and in a way you could say that Kapadia does this as well. As for Longinotto, her style of documentary filmmaking falls into all three categories. Kim Longinottos' Theory Scroll down the page for information on the homework task and resources used in the lessons. Kim Longinotto . Michael Moore's Theory. The documentary follows the lives of women of various cultures whom provide, care and protect a multitude of abused and neglected children. These ideas, in Kim Longinottos case, are often based on the oppression and discrimination of females in society. Longinotto is uses editing in her films to transition between scenes and to introduce new locations. Direct cinema, just as it sounds, is a style used by filmmakers through the desire to perfectly capture ‘reality’ in an honest manner and explore its relationship with the expression of cinema. She hopes to achieve an impact on the audience in which they walk away from the said documentary with a different mentality and perspective after being exposed to the corruption within the societies she integrates into her documentaries and her films are described to be an ‘experience’. Her filming process often excludes many typical features of documentaries, for example, scripting, interviews, narration and advanced … It coincides with the observational method on the basis that the filmmaker holds an objective stance, and does not contribute any subjective opinion on the film, though ethically, it could be argued that this method falters in the fact that the subjects cannot be filmed without their permission and once gaining their permission, they may behave differently on film. "I want to make films which create a situation where the audience gets… This may be somewhat down to her unpretentious style of filmmaking … Kim Longinotto, Director: Sisters in Law. Her aim with many of her documentaries is to allow the audience to relate and identify with the… Kim Longinotto is an observational film documentarist, known for works such as Salma (2013), Dreamcatcher (2015), Pink Saris (2010) and Sisters in Law (2005).Before moving on to making feature length films, Longinotto first made several shorter length films, including Pride of Place (1976), a film about a girls’ boarding school that Longinotto once attended … Kim Longinotto, born 1952, is a British documentary filmmaker. The Theory. Longinotto also uses observational cinema to show real conversations between characters without intervention. May 2, 2018 Jack. ( Log Out /  Change ), You are commenting using your Google account. Focusing on the struggles within achieving divorce in the Islamic Republic, this documentary mostly takes on the style of cinema verite, as the subjects are aware and even interact with the filmmaker such as one of the subjects telling the camera (and the audience) that she secretly does not want a divorce, just the respect of her husband. Kim Longinotto uses the Observational film-maker technique and remains behind the camera in order to preserve reality and to capture everything with out intervening or making things she wants happen. She is best known for her films which highlight the plight of women who are victims of oppression and discrimination. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. Longinotto is known for her films: Sisters in Law (2005), Gaea Girls (2000) and The Day I Will Never Forget (2002). ( Log Out /  The extraordinary lives of women and children throughout the less developed countries show... 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