kenji mizoguchi criterion
The director kept making movies in that time, including his … The third film in the Eclipse set Kenji Mizoguchi's Fallen Women has some years distance from the previous entry in the box, 1936's Sisters of the Gion.Damn, a whole war actually happened during the time from one production to the next, so it's fairly understandable that Women of the Night would be so tragic and bleak. Restoration funding provided by the Hollywood Foreign Press Association in association with The Film Foundation and Kadokawa Corporation. Starring Machiko Kyo, Masayuki Mori, Kinuyo Tanaka. Classics and discoveries from around the world, thematically programmed with special features, on a streaming service brought to you by the Criterion Collection. Set in Tokyo’s Red Light District (the literal translation of the Japanese title), Street of Shame was so cutting, and its popularity so great, that when an antiprostitution law was passed in Japan just a few months after the film's release, some said it was a catalyst. The film is presented in a new 1080p/24hz high-definition digital transfer. One of cinematography’s finest talents, Kazuo Miyagawa shot many of Japan’s most celebrated films, including Akira Kurosawa’s RASHOMON; Kenji Mizoguchi’s UGETSU, SANSHO THE BAILIFF, and STREET OF SHAME; and Yasujiro Ozu’s FLOATING WEEDS. This comprehensive documentary on director Kenji Mizoguchi was made by Kaneto Shindo in 1975. See reviews & details on a wide selection of Blu-ray & DVDs, both new & used. KENJI MIZOGUCHI'S FALLEN WOMEN: OSAKA ELEGY/SISTERS OF THE GION - ECLIPSE SERIES 13 Just how much is $300 worth to you? . The director of such classics as PALE FLOWER (1964), SAMURAI SPY (1965), and DOUBLE SUICIDE (1969), Masahiro Shinoda considers Kenji Mizoguchi’s UGETSU one of cinema’s crowning achievements. As a professional film historian, I consider Mizoguchi Kenji to be one of the top ten directors of all time. Amazon.ca - Buy Kenji Mizoguchi: Fallen Women: Eclipse Series 13 (The Criterion Collection) at a low price; free shipping on qualified orders. Under Kenji Mizoguchi’s dazzling direction, this classic Japanese story became one of cinema’s greatest masterpieces, a monumental, empathetic expression of human resilience in the face of evil. Ugetsu, also known as Tales of Ugetsu, The Tales of the Wave after the Rain Moon and Ugetsu Monogatari (雨月物語), is a 1953 Japanese romantic fantasy drama film directed by Kenji Mizoguchi and based on stories in Ueda Akinari's 1776 book of the same name.It is a ghost story and an example of the jidaigeki (period drama) genre, starring Masayuki Mori and Machiko Kyō. I'm very grateful to the Criterion Collection for having put this excellent collection together. Restored by The Film Foundation and Kadokawa Corporation at Cineric Laboratories in New York. The director's often-used leading actress Isuzu Yamada stars as Ayako, a switchboard operator trapped in a compromising, ruinous relationship with her boss to help support her wastrel father. By the time he made UGETSU, Kenji Mizoguchi was already an elder statesman of Japanese cinema, fiercely revered by Akira Kurosawa and other directors of a younger generation. It runs 150 minutes and can be found on the second disc of the Region 1 Criterion Collection release of Ugetsu (1953). Eclipse Series 13: Kenji Mizoguchi's Fallen Women (Osaka Elegy / Sisters of the Gion / Women of the Night / Street of Shame) (The Criterion Collection) Isuzu Yamada 4.3 out of 5 stars 29 They shake and move the viewer by the power, refinement and compassion with which they confront human suffering." Directed by Kenji Mizoguchi • 1953 • Japan Starring Machiko Kyo, Masayuki Mori, Kinuyo Tanaka By the time he made UGETSU, Kenji Mizoguchi was already an elder statesman of Japanese cinema, fiercely revered by Akira Kurosawa and other directors of a younger generation. Submit. THE CRUCIFIED LOVERS) is an exquisitely moving tale of forbidden love struggling to survive in the face of persecution. By the time he made UGETSU, Kenji Mizoguchi was already an elder statesman of Japanese cinema, fiercely revered by Akira Kurosawa and other directors of a younger generation. Kenji Mizoguchi Quick Shop Street of Shame Kenji Mizoguchi Osaka Elegy Kenji Mizoguchi Sisters of the Gion Kenji Mizoguchi Women of the Night Kenji Mizoguchi And the Academy Award Goes To . Oscar Winners. Criterion did the most respectful, bountiful disc of extras, including a really lively set of interviews about Mizoguchi and his life. . When an idealistic governor disobeys the reigning feudal lord, he is cast into exile, his wife and children left to fend for themselves and eventually wrenched apart by vicious slave traders. Directed by Kenji Mizoguchi • 1953 • Japan FILM REVIEW: Criterion Collection Director Kenji Mizoguchi 溝口健二; Writers Fuji Yahiro 八尋不二 and Yoshikata Yoda 依田義賢 (based on the short story by Mori Ogai 森鴎外); Cinematographer Kazuo Miyagawa 宮川一夫; Starring Yoshiaki Hanayagi 花柳喜章, Kyoko Kagawa 香川京子, Kinuyo Tanaka 田中絹代, Eitaro Shindo 進藤英太郎; Length 124 minutes. Sisters of the Gion follows the parallel paths of the independent, unsentimental Omocha (Isuzu Yamada) and her sister, the more tradition-minded Umekichi (Yoko Umemura), both geishas in the working-class district of Gion. The Criterion Collection releases Kenji Mizoguchi’s The Life of Oharu on Blu-ray in its original aspect ratio of 1.37:1 on this dual-layer disc. In fact, that archetype is so central to the director’s oeuvre that it’s embedded in the subtitle of this career-bookending box, Eclipse Series 13: Kenji Mizoguchi’s Fallen Women. There's even a nifty little booklet with the literary source material, embellished with beautiful graphics. A critical and popular triumph, Osaka Elegy established Mizoguchi as one of Japan’s major filmmakers. Kenji Mizoguchi’s Sansho the Bailiff receives a Blu-ray upgrade from Criterion, presented in its original aspect ratio of 1.33:1 on a dual-layer disc. Sansho the Bailiff (山椒大夫, Sanshō Dayū) (known by its Japanese title in the United Kingdom and Ireland) is a 1954 Japanese period film directed by Kenji Mizoguchi. This is a gorgeous 2-disc set, and a … Get info about new releases, essays and interviews on the Current, Top 10 lists, and sales. Saturday, September 15, 2012. Kenji Mizoguchi (溝口 健二, Mizoguchi Kenji, May 16, 1898 – August 24, 1956) was a Japanese film director and screenwriter.. Mizoguchi's work is renowned for its long takes and mise-en-scène. WOMEN OF THE NIGHT is, as I recall, not quite up to the quality … He was interviewed in Tokyo, in May 2005, about his work with director Kenji Mizoguchi. Directed by Kenji Mizoguchi • 1954 • Japan Starring Kinuyo Tanaka, Yoshiaki Hanayagi, Kyoko Kagawa When an idealistic governor disobeys the reigning feudal lord, he is cast into exile, his wife and children left to fend for themselves and eventually wrenched apart by vicious slave traders. Saturday, October 6, 2012. After World War II, Mizoguchi was inspired by Italian neorealism to make one of the most emotionally and visually raw films of his career. A cornerstone of Japanese cinema, Kenji Mizoguchi’s 1953 masterpiece Ugetsu at last receives an updated transfer from the Criterion collection. Directed by Kenji Mizoguchi • 1954 • Japan Starring Kazuo Hasegawa, Kyoko Kagawa One of a string of late-career masterworks made by Kenji Mizoguchi in the first half of the 1950s, A STORY FROM CHIKAMATSU (a.k.a. The transfer is delivered in 1080p/24hz. It runs 150 minutes and can be found on the second disc of the Region 1 Criterion Collection release of Ugetsu (1953). Kenji Mizoguchi Ugetsu (Criterion) Sansho the Bailiff (Criterion) Mizoguchi: Volume One (MoC) Carlotta: Coffrets Kenji Mizoguchi Films sans Frontieres Cinema (French publication) Raro Video Digital Meme Mizoguchi on DVD Japanese DVDs Japanese Films Not on DVD Web Resources The Films of Kenji Mizoguchi - Michael Grost KENJI MIZOGUCHI'S FALLEN WOMEN: STREET OF SHAME - ECLIPSE SERIES 13 The final movie in Eclipse's Kenji Mizoguchi's Lost Women also turned out to be the last film the director made. Yes, this is the same package that accompanied Criterion’s 2005 DVD edition of Ugetsu, but these supplements would be difficult to improve upon, as they offer an invigoratingly deep dive into Kenji Mizoguchi’s career while shedding light for Western audiences on the Japanese postwar culture that informed the film. The director's often-used leading actress Isuzu Yamada stars as Ayako, a switchboard operator trapped in a compromising, ruinous relationship with her boss to help support her wastrel father. Picture 7/10. Both movies are found in Eclipse Series 13: Kenji Mizoguchi’s Fallen Women.) For his final film, Mizoguchi brought a lifetime of experience to bear on the heartbreaking tale of a brothel full of women whose dreams are constantly being shattered by the socioeconomic realities surrounding them. Mizoguchi's film is a brilliantly shot, uncompromising look at the forces that keep many women at the bottom rung of the social ladder. Amazon.com. Hailed by critics as one of the greatest films ever made, Kenji Mizoguchi's Ugetsu is an undisputed masterpiece of Japanese cinema, revealing greater depths of meaning and emotion with each successive viewing. Though a notch below Mizoguchi's best work, it's still very good, and Criterion… Moving between the terrestrial and the otherworldly, UGETSU reveals essential truths about the ravages of war, the plight of women, and the pride of men. Over the course of a three-decade, more than eighty film career, master cineaste Kenji Mizoguchi (Ugetsu, Sansho the Bailiff) would return again and again to one abiding theme: the plight of women in Japanese society. A critical and popular triumph, Osaka Elegy established Mizoguchi as one of Japan’s major filmmakers. The 47 Ronin - The Criterion Channel The 47 Ronin 47 samurai avenge the death of their lord in Kenji Mizoguchi's take on the famous historical event. Criterion’s spare but beautifully detailed restoration of A Story from Chikamatsu will hopefully allow the film to enjoy the attention that’s been accorded to other Kenji Mizoguchi masterworks such as Ugetsu and Sansho the Bailiff. Directed by Kenji Mizoguchi • 1953 • Japan Starring Machiko Kyo, Masayuki Mori, Kinuyo Tanaka By the time he made UGETSU, Kenji Mizoguchi was already an elder statesman of Japanese cinema, fiercely revered by Akira Kurosawa and other directors of a younger generation. An exquisitely made period fantasy from director Kenji Mizoguchi, Ugetsu (Ugetsu monogatari, or "The Story of Ugetsu," 1953) was an artistically and commercially successful attempt on the part of Daiei Studios to repeat the international acclaim they had enjoyed with Akira Kurosawa's Rashomon two years before. Special thanks to Masahiro Miyajima and Martin Scorsese for their consultation on this restoration. Laugh Out Loud ... Search Criterion.com. The first assistant director on UGETSU, Tokuzo Tanaka would later go on to direct several episodes of the famous ZATOICHI film series, starring Shintaro Katsu. It was recorded in New York City in June 2005. In the middle of a trio of Venice Film Festival award winners (1951’s The Life of Oharu; 1954’s Sansho the Bailiff) which solidified Mizoguchi’s international reputation and influential shadow on his country’s cinema, it is […] Somewhat later she was sold as a geisha, affecting her brother's, and our director's, weltanschauung profoundly. The director, Kenji Mizoguchi's (1898-1956) elder sister was given up for adoption when the family encountered hard times. According to writer Mark Le Fanu, "His films have an extraordinary force and purity. Kenji Mizoguchi’s A Story from Chikamatsu (also known under the title The Crucified Lovers) makes its North American Blu-ray debut thanks to the Criterion Collection, who present the film on a dual-layer disc in its original aspect ratio of 1.37:1.The 1080p/24hz high-definition presentation comes from a new 4K restoration, scanned from a 35mm fine-grain. Movie plot Kenji Mizoguchi: The Life of a Film Director (Aru eiga-kantoku no shogai) is a 1975 Japanese documentary film on the life and works of director Kenji Mizoguchi, directed by Kaneto Shindo (Onibaba). Based on a classic of eighteenth-century Japanese … In these four lacerating works of social consciousness—two prewar (Osaka Elegy, Sisters of the Gion), two postwar (Women of the Night, Street of Shame)—Mizoguchi introduces an array of compelling female protagonists, crushed or resilient, who are forced by their conditions and culture into compromising positions. It's a question that … Submit. At that point, he had already directed over 50 films, most of them fairly short pieces beginning in the early 1920s that now exist only in fragments. Over the course of a three-decade, more than eighty film career, master cineaste Kenji Mizoguchi (Ugetsu, Sansho the Bailiff) would return again and again to one abiding theme: the plight of women in Japanese society. And with this exquisite ghost story, a fatalistic wartime tragedy derived from stories by Akinari Ueda and Guy de Maupassant, he created a touchstone of his art, his long takes and sweeping camera guiding the viewer through a delirious narrative about two villagers whose pursuit of fame and fortune leads them far astray from their loyal wives. He was also privy to observing his father's brutal treatment of his mother and sister. Picture 9/10. This interview with Shinoda took place in Tokyo in May 2005. Filmed on location in Osaka, Women of the Night concerns two sisters—Fusako, a war widow, and Natsuko, having an affair with a narcotics smuggler—who along with their younger friend Kumiko descend into prostitution and moral chaos amid the postwar devastation surrounding them. Directed by Kenji Mizoguchi. Kenji Mizoguchi: The Life of a Film Director (Aru eiga-kantoku no shogai) is a 1975 Japanese documentary film on the life and works of director Kenji Mizoguchi, directed by Kaneto Shindo (Onibaba). A survey of the Criterion Collection on DVD by Jamie S. Rich. A survey of the Criterion Collection on DVD by Jamie S. Rich. Picture 7/10. With its fluid cinematography and deft storytelling, Osaka Elegy ushered in a new era of sound melodrama for Mizoguchi. With Mizoguchi’s visual daring and eloquence, these films are as cinematically thrilling as they are politically rousing. The film I’ve chosen is the one that authoritative sources, including Mizoguchi himself, cite as his breakthrough into artistic maturity, Osaka Elegy , from 1936. Eclipse Series 13: Kenji Mizoguchi’s Fallen Women Collector’s Set Quick Shop Essential Art House: 50 Years of Janus Films Collector’s Set Quick Shop The Life of Oharu Kenji Mizoguchi Quick Shop Osaka Elegy ... Search Criterion.com. 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