Knife + Heart is a postmodern pastiche where the eroticism of Brian De Palma's thrillers is intertwined with the exuberance of Dario Argento's giallos. That line is pretty vague, but Paradis makes it seem very revealing. This serial-killer flick is a Brian De Palma-like chiller with some lurid flair. We might get some funny moments in between and all around, but … Gonzalez can be masterful in conjuring sexy imagery, febrile moods and erotic frissons, but his grip on the storytelling here is weak. However, the story never loses sights of the serial killer case. A man wearing a black mask ties him face down on a bed and raises a black dildo. Beautiful craftsmanship. Excellent quality. There’s a seedy glamour and a noir sensibility that owes as much to Eighties films Vortex and Variety. Knife+Heart As Lois McKenna (Kate Moran) edits a gay porno featuring the young Karl (Bastien Waultier), we observe the actor being picked up at a gay S&M club. For example, a love story is usually a love story; a horror movie is usually a horror movie, etc. Tomorrow, we die." Knife+Heart’s narrative features a similar outlandishness to Gonzalez’s debut, the experimental You and the Night (2013), which is also unabashedly queer, and likewise features a goddess of French cinema, Beatrice Dalle. The other attendants—all smoking, well-dressed, drinking—laugh along with the scene's on-stage performers: two older women, both in fish-net stockings, one of whom begs the other (dressed in a cabaret-friendly bear costume) to maul her. Also: while Anne never explicitly asks herself if she's to blame, Paradis' restless performance makes that concern apparent. Its somehow beautiful in its mixture of grandiose and horrific but It's just not really exciting in the long run. Twitter. Yann Gonzalez uses his unusual obsession with the world of 1970s gay porn to deliver a queer spin on a Brian De … I am exactly the right audience for Knife + Heart. Paris, Summer 1979. They wear a black, leather mask and have similar gloves. It is a film that will entice the viewer’s senses, if not necessarily their brain activity. Knife + Heart movie reviews & Metacritic score: Paris, Summer 1979. Knife+Heart. Thank you to netgalley and the publisher for the review copy in exchange for an honest review Rejoice, a Knife’s Heart is a sci-fi novel by Erikson. REVIEW: Knife + Heart (2018) In 1979 Paris, Anne (Vanessa Paradis) runs an independent film studio making gay pornography. Book Review: The Art of the Mitchells vs. the Machines, I Will Not Forget You: Barry Jenkins on The Underground Railroad, The Kind of Stuff That Opens You Up as a Human Being: Simon Baker on High Ground, The End of an Era: Norman Lloyd, 1914-2021. Books I’ve heard great things about so I … It really is strange, a film with what is actually a pretty good premise for a comedy, but with no interest in actually being a comedy and also no interest in being a thriller, or even that mysterious erotic parable that it seems to be claiming to be. ReddIt. But it is also a dreamy evocation of a particular time and place which offers nostalgic adoration for a filmic genre (gay porn) that is normally dismissed as aesthetically void. WhatsApp. Ironically, when the film clears out of the dreadful fog it created in the beginning and wants to take care of the story, it gets … I was initially put off by the sometimes crass, sometimes glib tone of "Knife+Heart," a French period thriller that sometimes feels like a dumb tribute to Italian gialli, the kind of sleazy thrillers that (in the 1970s and 1980s) combined elements of whodunit mysteries and slasher horror movies. Thankfully, director Gonzalez and Mangione usually settle on a tone that's more pensive than playful, making "Knife+Heart" a satisfying, unsentimental psychodrama. Set within the seedy porno sets and neon-soaked discotheques of Paris in the late 1970s, Yann Gonzalez crafts a stylish, nasty giallo with Knife+Heart, which, despite overstaying its welcome, is a fascinating mystery-thriller that oozes with gorgeous visuals and a heaping pile of camp. It almost felt like this movie was made just for me. © 2021 METACRITIC, A RED VENTURES COMPANY. The recurring sequences taken from the films Anne has made with the company have an authenticity to them and are amply melodramatic to be sniggered at as opposed to simply undercut a potentially awkward moment - it's doubtful an audience will be … Verified Purchase. There’s no doubt that the more wacky side of Knife+Heart offers heaps of entertainment and laughter. Knife+Heart is part of a trio of newly-released thrillers helmed by queer people that includes Matthew Wollin’s The Skin of the Teeth (USA) and Lara Jean Gallagher’s Clementine (USA). This was a spot-on homage to the beloved genre. A different take into the slasher cinema.... and it seems it's back!!! Director Yann Gonzalez's new film Knife+Heart has been described as both a "deliriously kinky queer horror thriller" and a "queer giallo thriller," and while there is definitely a thriller aspect to it, the movie is giallo to its absolute core.. Firstly, there is a masked killer who murders people with an unusual implement of death. Though honestly, most of these guys aren't Anne's friends—they just party with her and have unsimulated sex in her movies. Everyone on screen seems to be having a great time, and to surrender to the film's madness means to have a wonderful time as a viewer. To Anne, Nans looks just like Fouad (also Alouach), the star of some of her favorite older productions. As for the rest, Gonzalez takes gleeful advantage of the 1979 Paris setting, his brother M83's score, and what I can only imagine. They use a knife for all of the killings as well. It’s hilarious and haunting and genuinely beautiful, an ambitious film that the more prudish amongst us will be squirming in their seats during. But one of her actors is brutally murdered and Anne gets caught up in a strange investigation that turns her life. 5.0 out of 5 starsGreat Colletable Item. March 14, 2019. But mostly because the movie begins with a joyless and gross murder: a mask-wearing killer ululates like a wounded animal while he repeatedly stabs his young lover with a black, dildo-shaped dagger. Film, Thrillers. In this grand-guignol-style setting, the victim understandably over-performs her own eulogy: "Yesterday, we came. We also get a great looking killer. Since I've already shifted over into this, we do get that troupe of the over explaining to ensure we as the audience know what we just saw. Linkedin. 2:40 PM PDT 5/17/2018 by Jordan Mintzer FACEBOOK; TWITTER; EMAIL ME ALL RIGHTS RESERVED. Our recap of the 71st Cannes Film Festival includes a list of award... Get a list of the best movie and TV titles recently added (and coming... Music title data, credits, and images provided by, Movie title data, credits, and poster art provided by. Admirers of Mario Bava's color schemes and Dario Argento's better gialli should rejoice that Knife + Heart so beautifully captures what was best about their work. In their movie's better moments, Gonzalez and Mangione's refuse to soften up Anne (Vanessa Paradis), an emotionally volatile, but basically sympathetic producer of low-budget gay porn. These movies within the movie are a little too kitschy, and that makes it difficult to sympathize with the protagonists' heavy concerns: Is it ok to seek out romance, to be sexually active, and to be openly gay at a time that we now know was dangerous for queer lovers? He hesitates to agree to anything, so she half-taunts, half-challenges him: "I pegged you as more modern." But Fouad is long gone—or so we're told—and Nans isn't exactly what Anne wants him to be. “Knife + Heart” is constantly tempting your imagination with similar such detours, many of which are more rewarding and enjoyable than the main path the film is trying to walk. Knife+Heart is one of those exceptions. “Knife + Heart” opens with a gay-bar pickup in 1979 Paris that culminates in a grisly murder, committed by a man wearing a seriously scary mask. 55/100 The combination of LGBT slasher and a tragic romance never really gels together, knife and heart are only united in the title. There are exceptions to this, especially more on the outer edges of independent and foreign cinema. Daniel Goodwin - Oct 8, 2018. I don't buy Anne's fantasies, but I do believe that she's real. Anne (Vanessa Paradis) produces third-rate gay porn. We even get that Anne is having dreams that lead us to the truth. 'Knife + Heart' ('Un couteau dans le coeur'): Film Review | Cannes 2018. By. You can tell a lot from Paradis' woozy, far-away stare when Anne—talking to a solicitous and unhelpful police officer—defends her actors' decision to star in gay porn: "When you lose yourself with another partner, or persons ... when you lose control ... have you ever felt that? Meanwhile: Anne's friends are systematically being murdered by the above-mentioned masked killer. I highly suggest seeking out Knife+Heart if you like 70s & 80s B-movie and exploitation films. Notable Video Game Releases: New and Upcoming. Reviewed in the United States on November 1, 2020. KNIFE+HEART – Review by Alexandra Heller-Nicholas February 28, 2019 March 4, 2019 Alexandra Heller-Nicholas 0 Comments Dario Argento, knife+heart, neo-giallo, vanessa paradis, Yann Gonzalez. And in time, even Gonzalez and Mangione's broad application of gallows humor makes sense, especially when you think of Anne's porn as an extension of the dream-like scene where she watches a grisly cabaret act at a gay night club. Knife + Heart sometimes feels as rough around the edges and inelegantly plotted as its pornos-within-the-movie, but maybe that’s just conceptual consistency. Her character is also clearly turned on by Nans (Khaled Alouach), a young construction worker whose stand-out features are completely superficial: he's young, un-self-conscious, and very ... familiar. The trademark moral ambiguity and misfortune are still plentiful. Knife + Heart review – bizarre shaggy-dog story of cheesy 70s porn. The film is absolutely beautiful, with some amazing cinematography and a wonderful score, with a movie that serves as a nod to the true killer of the queer community in the decade post said events, while working as a solid slasher … Most movies can’t be—or rather don’t attempt to be more than one thing. I was initially put off by the sometimes crass, sometimes glib tone of "Knife+Heart," a French period thriller that sometimes feels like a dumb tribute to Italian gialli, the kind of sleazy thrillers that (in the 1970s and 1980s) combined elements of whodunit mysteries and slasher horror movies. As for the rest, Gonzalez takes gleeful advantage of the 1979 Paris setting, his brother M83's score, and what I can only imagine to be a fantasy notion of the 1979 world of gay porn. This difference in Knife+Heart is that queer characters are allowed prominent roles in their own tale. Partly because I knew that "Knife+Heart" follows sexually active gay characters and is set in Paris just before the AIDS crisis of the 1980s. After her editor and lover Lois leaves her, she tries to win her back by shooting her most ambitious film yet with her trusted, flaming sidekick Archibald. KNIFE+HEART Review. By Glenn Kenny. Shin Megami Tensei III: Nocturne HD Remaster. Facebook. Knife + Heart is a true anomaly when it comes to giallo. But one of her actors is brutally murdered and Anne gets caught up in a strange investigation that turns her life upside-down. Carlin gives a no spoilers movie review of Knife+Heart, a 2018 French Giallo film by Yanna Gonzalez that is currently streaming on Shudder. 3 out of 5 stars. After this brief encounter, Anne returns to her car with a big smile: even if Nans says no, she'll find new talent for her films, just by scouring the nearby work-sites. Knife + Heart neither allows itself to be silly enough to be considered a comedy nor seriously enough to be a thriller. I highly suggest seeking out Knife+Heart if you like 70s & 80s B-movie and exploitation films. Time Out says. When a masked assailant begins stalking the city’s gay community, violently murdering Anne’s actors one by one, she is drawn into tracking the killer down before they come for her as well. It’s hilarious and haunting and genuinely beautiful, an ambitious film that the more prudish amongst us will be squirming in their seats during. [Full Review in Spanish] Image: Knife+Heart (supplied) Review: Hagan Osborne That scene's glib tone carries over into almost every scene where the movie's protagonists—who are all, in some way, involved with the making of gay male-on-male pornography—either film or exhibit their own dirty movies. 0. Knife + Heart struggles to regain its initial momentum, falling flat until a lively climax. Knife + Heart. Simon Abrams is a native New Yorker and freelance film critic whose work has been featured in The New York Times, Vanity Fair, The Village Voice, and elsewhere. A modern giallo that serves to remind me that I should watch more giallo, Knife + Heart was a fun time the first time I saw it, and it continues to be now. I often rolled my eyes at the kitschy, broad humor that Knife+Heart director Yann Gonzalzez (who co-wrote the film with Cristiano Mangione) sometimes used to characterize his sexually active queer characters. 3 out of 5 stars. Knife + Heart Review – LFF 2018. Erikson is probably most known for his Malazan fantasy book series. While Luciano Ercoli's Death Walks at … Knife+Heart screens as part of the 2019 Alliance Française French Film Festival.For more information, screening locations and times, visit: www.affrenchfilmfestival.org for details. The bear complies and claws at her lover with her extra-long nails. Paradis, as Anne, pleads with a raw intensity that carries over into crying, touching, and other forms of unsolicited clinginess. After her editor and lover Lois leaves her, she tries to win her back by shooting her most ambitious film yet with her trusted, flaming sidekick Archibald. By Tim Grierson, Senior US Critic 2018-05-18T09:15:00+01:00. She's just been dumped by reclusive film editor Lois (Kate Moran) and isn't too proud to beg Lois to be taken back. It’s… Set in the world of gay erotica, this strange, violent fantasy starring … Which is saying something since Anne is pretty desperate when we meet her. This was a spot-on homage to the beloved genre. Check box if your review contains spoilers, Paris, Summer 1979. Y ann Gonzalez’s Knife + Heart opens with a promisingly terrifying, even poignant set piece. … Multiple times, even. Email. Gonzalez and Mangione never out-right accuses Anne of exploiting her randy actors, but the implication often hangs over her head, like when she watches one of her older movies, or when she tries to get handsy with Lois. ... Knife+Heart is currently screening at the Australian Alliance Française French Film Festival. I often rolled my eyes at the kitschy, broad humor that "Knife+Heart" director Yann Gonzalzez (who co-wrote the film with Cristiano Mangione) sometimes used to characterize his sexually active queer characters. Anne (Vanessa Paradis) produces third-rate gay porn. So Knife + Heart is a gay slasher, falling somewhere between William Friedkin’s Cruising and Alain Guiraudie’s Stranger by the Lake. Anne (Vanessa Paradis) produces third-rate gay porn. Please enter your birth date to watch this video: You are not allowed to view this material at this time. Not an easy task since Nans isn't dumb enough to roll over when Anne assures him that she only sometimes produces gay porn. Knife + Heart is an homage to 70’s and 80’s exploitation films that are high on violence, aesthetic and sleaze. 'Knife + Heart': Cannes Review. It's from France, a country more given to the fantastique film than the giallo - though there are movies like The Night Caller, Without Apparent Motive and The Night Under the Throat. In late-1970s Paris, Lois (Kate Moran) is seen editing a low-budget “blue” flick where men fuck and frolic in idyllic woods straight out of a storybook, which Gonzalez crosscuts with a scene in which the porno’s star, Karl (Bastien Waultier), frequents a fetish bar. Though she does, essentially, seduce him when she asks him to star in her films. Film Review: ‘Knife + Heart’. Find a list of the 50 highest-scoring films released in 2019, plus... 2018 Cannes Film Festival Recap & Reviews. 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