NEW YORK (CNS) — In “The Two Popes” (Netflix), their glossy but highly speculative account of supposedly real events, screenwriter Anthony McCarten and director Fernando Meirelles ill-advisedly try to extol Pope Francis (Jonathan Pryce) by […] Reviews Movie Review. And what performers we have here! Seven years after Pope Benedict XVI filled the Vatican power vacuum after the death of the revered John Paul II, the leader is bracing leaked documents and the staining shame of the boiled-over sex abuse scandals that rocked the Catholic Church earlier this decade. “It is a German joke,” says Pope Benedict XVI after an attempt at humor falls flat, “it doesn’t require a punchline.”. This may make him more appealing than Benedict, but it also makes him less intriguing. Hopkins and Pryce are veterans of stuffy, prestigious fare as well as far less respectable crowd-pleasing attempts that border on the preposterous. By Stephanie Zacharek November 26, 2019 4:01 PM … This biographical excursion is hardly irrelevant — it clarifies Bergoglio’s political views, and also his fallibility — but the information could have been conveyed in a less literal manner. But it's also a surprisingly sensitive and often funny take on the promise and perils of … Movie review: 'The Two Popes'. Replay. Rated PG-13. What is clear is that the two men, who may be brothers in Christ, are not friends. The film does so in an atypically light and intimate manner. The Two Popes is available now streaming on Netflix after a brief theatrical run. Anthony Hopkins and Jonathan Pryce give an acting masterclass in Fernando Meirelles’ Papal tête-à-tête. “The Two Popes” isn’t altogether neutral in this debate, which takes place against a backdrop of scandal and crisis. “I disagree with everything you say,” Benedict snaps at one point, and while their conversation is marked by deference and decorum, the temperamental and ideological gulf between them seems unbridgeable. The Two Popes imagines an intriguing fly-on-the-wall-of-history scenario in which the two living popes debate theology and leadership. Benedict, receiving his visitor at the papal summer residence in Castel Gandolfo, has other plans, though they aren’t clear at first. Juan Minujín plays Jorge Bergoglio, the future Pope Francis, in flashbacks that recount his early life. When you purchase a ticket for an independently reviewed film through our site, we earn an affiliate commission. Hopkins, a bit of a historic hambone himself, cedes all the big gestures to Pryce and stealthily does some of his craftiest acting in years. All in all, both Anthony Hopkins and Jonathan Pryce put on impressive performances. The interplay, a duet with sweet and eccentric harmonies, is fascinating to observe, even as it undermines the overall structure of the narrative. I was in consolation when I saw the two Popes dancing. McCarten’s script has Pope Benedict XVI wearing a FitBit-style device that constantly scolds him to “keep moving” and his dialogue is a meaty, dramatic match for the film’s two main performers. The Two Popes is thoroughly and purposefully fictionalized. The Two Popes serves in places as a refreshing antidote to this widespread hostility. As they stroll the grounds of the Papal summer home, the cardinal, Jorge Bergoglio (Jonathan Pryce) attempts to serve his resignation papers. That edifice is at once intellectually rigid and formally rickety. Bergoglio is impatient with Benedict’s hard line on social and cultural issues, arguing that the church should use its moral influence to address issues like climate change and economic inequality. NEW YORK -- In "The Two Popes" (Netflix), their glossy but highly speculative account of supposedly real events, screenwriter Anthony McCarten and director Fernando Meirelles ill-advisedly try to extol Pope Francis (Jonathan Pryce) by trashing retired Pope Benedict XVI (Anthony Hopkins). The release of “The Two Popes” on Nov. 27 brought renewed attention to the papacy of Benedict XVI (played by Anthony Hopkins) and the 2013 election of Pope Francis (played by Jonathan Pryce). When they argue semantics and swat at each other’s metaphors — Bergoglio says he wants to break down walls; Benedict replies that “a house needs walls” — what is at stake is the future of the church itself. Overall, the film is superbly acted and a lot of fun to watch, which I suppose is not enough hardcore critical substance to hang three and a half stars on, but there you go. “The Two Popes” is really three movies: a behind-the-scenes tale of Vatican politics, a mini-biopic about the current pontiff, and a two-man study of friendship, rivalry and major British acting. During this sequence, the first of several sharply written bits of banter in Netflix’s “The Two Popes,” one gets a distinct “Odd Couple” vibe from the duo. I almost expected a play on that TV show’s famous opening narration: “Can two Catholic men share the Papacy without driving each other crazy?”. ‘The Two Popes’ Review: Double Act at the Vatican, https://www.nytimes.com/2019/11/26/movies/the-two-popes-review.html, Most Read: ‘The Underground Railroad’ Review. Telluride Film Festival 2019: Jonathan … A nthony Hopkins and Jonathan Pryce make for a study in opposites as the co-leads of Fernando Meirelles’ talky drama The Two Popes.They portray men on either end of the same ideological spectrum; Pope Benedict XVI (Hopkins) was severe, conservative … In short, I was being moved in some way by the fictional and the real humanity of these men portrayed on the screen. The scenes involving how Popes are selected offered insight into the politics of the process and the editing kept those moments from becoming dull. Hopkins runs a small undercurrent of mischievousness under his character’s grumpy exterior. The Pope and a Jesuit cardinal walk into a park. He mutters and whispers, sighs and fidgets, and turns Benedict from a presumed villain into an almost tragic figure, a brilliant theoretical mind tethered to a complex and troubled soul. Home Latest Film TV Club Music Games Video TV Reviews Reviews And more. Review: The Two Popes is a film that tells the story behind the real-life controversial incident of Pope Benedict XVI renouncing his title. as Jorge Bergoglio/Pope Francis, Anthony Hopkins The Two Popes is a talky, intimate drama that cracks the papal mystery: Review this link is to an external site that may or may not meet accessibility guidelines. His choices run the gamut from effectively using crisp, black-and-white cinematography while depicting Pope Francis’ past in Argentina to the absurd, out-of-left-field soundtrack appearance of “Dancing Queen” that’s both a needle drop and a callback to a prior moment in the film. Odie "Odienator" Henderson has spent over 33 years working in Information Technology. 'The Two Popes' adds up to less than the sum of its parts. Pope Francis ordering a pizza from the “best place in Italy” is amusing enough, but when his dinner partner attacks a slice with the voraciousness of Hannibal Lecter, you can almost see the scoreboard marking a home run for the guy who played him. The runner-up is Jorge Bergoglio (Jonathan Pryce), an Argentine priest who will replace Benedict eight years later, becoming Pope Francis in a highly unusual transfer of ecclesiastical authority. The drama may be accurate or not, it does not matter. What Bergoglio sees as necessary change, Benedict views as ruinous compromise. Watching "The Two Popes", I thought about how John Paul II was the first pope to condemn the Catholic Church's anti-Jewish policies, Benedict XVI was more reactionary, while Francis has been trying to make it more progressive. [This is a repost of our review from the 2019 Toronto International Film Festival. Read his answers to our Movie Love Questionnaire here. (In those scenes he is played by Juan Minujín.). This is partly because the filmmakers want us to see Bergoglio as a redemptive figure, a man who has faced up to his own failures with humility and whose ascension to the papacy portends an era of reform and renewal. Still, as two-handers go, “The Two Popes” is a great one. He’s also more blatantly funny, though Hopkins has a drollness that’s delectable. The third is absolutely riveting, a subtle and engaging double portrait that touches on complicated matters of faith, ambition and moral responsibility. The Two Popes dreams up an unconvincing talk between the Vatican’s most recent residents. Rather than dwell on these historical details, screenwriter Anthony McCarten and director Fernando Meirelles instead craft scenes that humorously play off what we already know about the eventual paths the two men will take. The Two Popes Is a Portrait of Complicated Friendship—With a Dash of Papal Pizazz. And when Meirelles and cinematographer César Charlone dwarf the two actors in the frame to show the enormity of some of the Vatican rooms they inhabit, their performances scale down as well. In 2013, Bergoglio, who seems more at home on the motley streets of Buenos Aires than in the hushed baroque chambers of the Vatican, travels to Rome to ask the pope’s permission to retire. The Two Popes is an atypical film, an interesting exercise walking between the biopic, drama and social, political and religious criticism with a slight touch of humor. But when Benedict and Bergoglio are together — first at the castle and then, in the film’s most beautiful section, in a small room abutting the Sistine Chapel — the actors draw out both the spiritual and the psychological dimensions of their characters. 11/26/19 3:00PM. ‘The Two Popes’ Review: A Holy Must-See Anthony Hopkins is Pope Benedict XVI and Jonathan Pryce is the future Pope Francis in Fernando Meirelles’s resplendent drama of … The Pope is far more conservative, even questioning if it’s appropriate for the Argentinian Jesuit to partake in his country’s national dance, the Tango. The Two Popes is, on one level, an easy and, honestly, enjoyable movie to review. It is clear that one pope had a different style than the other. He runs the blogs Big Media Vandalism and Tales of Odienary Madness. Review A professional critic’s assessment of a service, product, performance, or artistic or literary work. I wondered what the RCC's future holds. So I couldn’t tell you what was dramatized for the cinema, however I thought the conversational aspect of this film was fascinating. Though Hopkins’ presence looms larger simply by virtue of his stature, Pryce has the meatier role here. Ably assisted in flashback by Juan Minujín, who plays Bergoglio as a young man, Pryce shoulders much of the film’s emotional weight. He chats amiably with gardeners and chauffeurs, dances the tango and is a passionate soccer fan. as Joseph Ratzinger/Pope Benedict XVI, Book Review: The Art of the Mitchells vs. the Machines, I Will Not Forget You: Barry Jenkins on The Underground Railroad, The Kind of Stuff That Opens You Up as a Human Being: Simon Baker on High Ground, The End of an Era: Norman Lloyd, 1914-2021. But the creative teams on both sides of the camera project a loose, sometimes flashy tone onto the material and the resulting joy is infectious. It feels almost as if the filmmakers didn’t trust Pryce to tell the story, and that has the effect of flattening his performance. Review: ‘The Two Popes’ is provocative, entertaining. And these two actors are among the very best ever. Pope Benedict XVI (Anthony Hopkins) either ignores his request or amusingly deflects it by involving Bergoglio in a conversation about their personal differences. I am not British but I enjoy English actors, who have far more formal training in classical drama than Americans. There are also interview scenes where people call Pope Benedict XVI “a Nazi.” While it’s understandable that a South American filmmaker would focus more on the backstory of the first Pope from his continent, I wish Pope Benedict XVI’s character had been expanded in similar fashion rather than having him be more symbolic of the old man’s lament we’ve seen more thoroughly in “The Irishman” and “Pain and Glory.”. Benedict is a voice of authority and tradition. But the conversation is interrupted by flashbacks that chronicle Bergoglio’s early life, as a young scientist called to the priesthood and as head of the Jesuit order in Argentina during the military dictatorship of the 1970s. Pryce is an amiable, sympathetic presence, with legible facial expressions and an impressive ability to make himself understood in four of the five languages spoken onscreen. As I was discerning through all the emotions that I felt during and after the viewing of this film, I realized that the desolation and consolation that I was experiencing came from the fact that I love … The Two Popes is a feel-good tale about how an archconservative mired in outdated ways of thinking (Benedict) can find common ground with the Church’s equivalent of a … Mike D'Angelo. 25. Its slightly over two hour runtime flies by without lagging. Some scenes of violence. The first, though intriguing, is more puzzling than illuminating. 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